The Ego Cuts Both Ways

Most of the time, when we think of ego or attachment, we think of traditional worldly pursuits like fame, fortune, power, beauty, status, etc…

But equally as insidious is being attached to the idea that you’re someone who’s “above all” such pursuits. That you’re “holier than thou.” Self righteousness and judging others is not a good look.

The truth is that we’re all at times, saints and sinners. The key is to be aware. Awareness gets us back on track.

The baseball player Shawn Green reminds us of this in his excellent book, The Way Of Baseball: Finding Stillness at 95 MPH. An excerpt below (a longer one, but worth reading)…

During my time in Los Angeles, I’d experienced the give and take between staying in the moment and getting caught up in the ego. Each time I thought I had it figured out, the little man would come up with a new way to wedge himself between me and the present moment. And each time I’d eventually find my way back again by chopping wood during my daily routines. But as I struggled through the first half of the 2003 season, I came to believe that the more pain I endured the more my ego might be diminished. I thought suffering would bring me what I was looking for.

That’s not how it worked.

Instead, I’d grown resentful. I began to feel superior to players who pulled themselves out of the lineup due to minor injuries. I took pride in the fact that I’d never gone on the disabled list, not even when Andy Pettite broke that bone in my wrist with a fastball back in ’99. Plenty of players get sore backs when they’re coming up against a Randy Johnson–quality pitcher or when they’re swinging poorly. I never did that. And so I came to believe I was better than those other players because I thought I didn’t have an ego big enough to concern itself with things like slumps or ducking pitchers.

But wait … I thought I was better than others?

Isn’t that ego, too?

It suddenly became clear to me. Over the past few years, I’d succumbed to an image of myself as an antisuperstar. I’d always been self-consciously careful to suppress my emotions during the great times and to unapologetically face the music during the bad times. I’d shunned many opportunities for endorsements and increased fame that being a sports star in Los Angeles offered. I’d taken pride in showing up to spring training much thinner than other power hitters, many of whom were later revealed to be steroid users, because I knew that my relative lightness highlighted the fact that I still could hit the ball farther than almost all of them. Sitting by myself in that training room office, it finally dawned on me: I was just as caught up in the image of myself as a humble, antisuperstar as other players were caught up in their images of themselves as traditional superstars!

How could I not have seen this?

I had chosen to tolerate the disillusionment of management, the media, and fans, rather than simply to acknowledge my shoulder injury because I had believed that a tolerance for painful criticism illustrated the conquering of my ego’s need to be a top hitter in baseball. What I didn’t realize, however, was that by doing these things I was actually feeding a new identity that my ego had chosen for me, that of the enlightened, spiritually superior athlete. By publicly saying, “Don’t look at me,” I was in effect saying, “Look at me!” Cultivating a feeling of spiritual superiority to my steroid-juiced, tabloid-seeking colleagues, I was, in a subtler way, as fully engaged in the ego as they were. I lost touch with presence as surely as if I had dressed in a gold suit and paid to have my face on a billboard on Sunset Boulevard.

Once again, how tricky the ego is!

And so just as overdoing my tee work damaged my shoulder, my self-conscious attempts to combat my ego had been overdone to the point of actually creating a whole new persona (a pure exercise in ego!). My subsequent attachment to this image was no different from the player who wants to be known as the greatest of all time. Both images are mere fantasies that promise a happier and more fulfilling future, denying the precedence of the present moment. Sure, some might suggest that my aims were somehow inherently more admirable than the guy who’s after mere fame and a truck-load of money, but I disagree, as both I and the stereotypically driven athlete were looking to become something rather than simply to be.

Life isn’t about continually getting to the next level. Too many of us view life as if it were a school in which we constantly are trying to graduate to the next grade. In 2000, I’d fallen into the ego’s trap of, “you need to be the hero,” and now that I’d injured my shoulder, I’d fallen into the ego’s new trap of being the unappreciated antisuperstar.

The fight is never ending.

Was my immoderate labeling of the ego as an evil enemy where I’d gone wrong? After all, the problem is not the ego itself, which is almost impossible to permanently quash, but getting lost in the ego and falsely identifying it as one’s own true essence. Might simply being aware of the ego and watching it from a place of separation and space be enough to keep oneself present?

I realized now that I’d doubtless get lost in the ego again—many times—but that as long as I was able to wake up to the present moment I’d always find my way back. Just recognizing the ego for what it is means that you’re not completely lost in it.

Failmore

It’s not that you’re not good enough or talented enough.

It’s that you haven’t failed enough.

I’m talking about true failure.

The kind in which you know what you want (hard to do, often takes inner work and experimentation to really figure out), go after it with everything you got, put yourself out there, fail, pick yourself up, ask yourself what you learned from the experience, and then do it all over again. Believing in yourself the entire time.

How many of those failures have you had?

If few or none, you need to fail more. And if it helps to take away some of the sting of the word failure, let’s coin a new word…failmore.

Say it with me…”Failmore.”

Once more with feeling…”Failmore!”

Now you’re cooking.

Resiliency

Resiliency starts with perception. How we perceive the events in our lives frames our attitude about them, which then determines our outcome.

If you want to be more resilient, start by looking at everything that happens to you as conspiring to get you to the place you want to be.

Don’t worry about the how.

Just trust that you will.

And that one day, you’ll look back and know that it was all for the best.

P.S. – This excellent New Yorker article on resiliency.

P.P.S. – “Good.”

It Must Be Their “Aha!”

Speaking of letting them experiencing it

Yes, if you’re planning to direct a play, you must be incredibly prepared, light years ahead of everyone else in terms of understanding the text and character motivations. But, rather than reveal your thoughts, analysis or “answers”, especially early on, ask questions. Lots and lots of questions. Have patience and trust (all the while guiding and nudging in the right direction) that your cast will get there. But you must allow them to discover, and more importantly, to own these discoveries.

It’s not about your “Aha!” moment. It’s about their “Aha!” moment. That’s the only way the actor’s understanding of their character will ever stick.

P.S. – This New Yorker profile of the director, Lila Neugebauer

Cutting To The Chase

Two questions to ask if you really want to cut to the chase…

The first has to do with sales. Ask your potential customer person the following:

“Is there anything I can say or do that would get you to say yes to my offer?”

The second has to do with advice. If you seek it from someone (a trusted friend perhaps, and after you’ve downloaded your situation), ask them the following:

“If you were me, what would you do”

Chances are, you’ll get some powerful and clarifying responses to these questions. Just be open and non-defensive.

If you don’t, rest assured you’d never get them anyway. Now you know. Time to move on.

True Wisdom

Perhaps the reason you’re unwilling to step forward and take a stand or make your art, isn’t because you lack courage. Perhaps it’s because you lack wisdom. True wisdom. The kind that comes from experience and reflection and can withstand intense scrutiny.

But here’s the thing–as Socrates brilliantly once said–the more you know, the more you know that you don’t know.

If that’s the case, then you might as well step forward and do it anyway, right?

Because the only way you’ll ever gain any wisdom and subsequently any courage, is to just do it.

And then do it again.

And then do it again.

Each time proceeding with openness and a beginner’s mind. Secure in the true wisdom that you don’t know.

They Have To Experience It

For the director or coach or teacher (or parent)…

You can talk until you’re blue in the face, but until they directly experience it for themselves, your corrective talk is meaningless.

The greatest thing you can do is lead the person to a place where they can truly watch and see what they’re doing. No judgment from you or them. Just watching. You both participate together in the discovery. That’s how they’ll make the breakthrough they seek.

In his masterpiece, “The Inner Game Of Tennis”, author Timothy Gallwey describes a lesson with his student, Jack. Jack had struggled for years to improve his backhand. He went to many teachers and took many lessons.

Instead of instructing with words, Gallwey had Jack simply watch his backswing in a mirror, and describe to Gallwey what he saw. Without judgment and without castigating himself. Jack was surprised, almost childlike, by seeing that he was, in fact, taking his racket back too high. Then after making this discovery, Jack was able to instantly correct his stroke.

An excerpt from the book that describes this encounter…

I asked Jack to take a few swings on the patio where we were standing. His backswing started back very low, but then, sure enough, just before swinging forward it lifted to the level of his shoulder and swung down into the imagined ball. The five pros were right. I asked him to swing several more times without making any comment. “Isn’t that better?” he asked. “I tried to keep it low.” But each time just before swinging forward, his racket lifted; it was obvious that had he been hitting an actual ball, the underspin imparted by the downward swing would have caused it to sail out.

“Your backhand is all right,” I said reassuringly. “It’s just going through some changes. Why don’t you take a closer look at it.” We walked over to a large windowpane and there I asked him to swing again while watching his reflection. He did so, again taking his characteristic hitch at the back of his swing, but this time he was astounded. “Hey, I really do take my racket back high! It goes up above my shoulder!” There was no judgment in his voice; he was just reporting with amazement what his eyes had seen.

What surprised me was Jack’s surprise. Hadn’t he said that five pros had told him his racket was too high? I was certain that if I had told him the same thing after his first swing, he would have replied, “Yes, I know.” But what was now clear was that he didn’t really know, since no one is ever surprised at seeing something they already know. Despite all those lessons, he had never directly experienced his racket going back high. His mind had been so absorbed in the process of judgment and trying to change this “bad” stroke that he had never perceived the stroke itself.

Looking in the glass which mirrored his stroke as it was, Jack was able to keep his racket low quite effortlessly as he swung again. “That feels entirely different than any backhand I’ve ever swung,” he declared. By now he was swinging up and through the ball over and over again. Interestingly, he wasn’t congratulating himself for doing it right; he was simply absorbed in how different it felt.

After lunch I threw Jack a few balls and he was able to remember how the stroke felt and to repeat the action. This time he just felt where his racket was going, letting his sense of feel replace the visual image offered by the mirror. It was a new experience for him. Soon he was consistently hitting topspin backhands into the court with an effortlessness that made it appear this was his natural swing. In ten minutes he was feeling “in the groove,” and he paused to express his gratitude. “I can’t tell you how much I appreciate what you’ve done for me. I’ve learned more in ten minutes from you than in twenty hours of lessons I’ve taken on my backhand.” I could feel something inside me begin to puff up as it absorbed these “good” words. At the same time, I didn’t know quite how to handle this lavish compliment, and found myself hemming and hawing, trying to come up with an appropriately modest reply. Then, for a moment, my mind turned off and I realized that I hadn’t given Jack a single instruction on his backhand! “But what did I teach you?” I asked. He was quiet for a full half-minute, trying to remember what I had told him. Finally he said, “I can’t remember your telling me anything! You were just there watching, and you got me watching myself closer than I ever had before. Instead of seeing what was wrong with my backhand, I just started observing, and improvement seemed to happen on its own. I’m not sure why, but I certainly learned a lot in a short period of time.” He had learned, but had he been “taught”? This question fascinated me.”

I can’t describe how good I felt at that moment, or why. Tears even began to come to my eyes. I had learned and he had learned, but there was no one there to take credit. There was only the glimmer of a realization that we were both participating in a wonderful process of natural learning. The key that unlocked Jack’s new backhand—which was really there all the time just waiting to be let out—was that in the instant he stopped trying to change his backhand, he saw it as it was. At first, with the aid of the mirror, he directly experienced his backswing. Without thinking or analyzing, he increased his awareness of that part of his swing. When the mind is free of any thought or judgment, it is still and acts like a mirror. Then and only then can we know things as they are.

Just Start And Complete Something

No doubt if you’re working on a passion project, there are a million ideas, tasks, and roads you can travel down. All of them have merit.

If you’re struggling to prioritize, pick one task–no matter how small or inconsequential you think it is–and complete it. Trust that in doing so, you will gain momentum and clarity to know exactly what to do next.

P.S. – This excellent Daily Stoic blog post.

Show Them Your Plan

If you seek affirmation about whether you should do the thing in your head…

Instead of just telling someone (ideally a trusted confidant) your idea, show them your plan. Your work plan. Your system for executing the idea. Complete with estimation of project length, action steps, arbitrary deadlines, budget, contingencies, and anticipated obstacles.

While the idea is fun to talk about, the work plan is the true mark of someone who’s serious.  Serious enough to be taken seriously.