Whatever Works To Let It Happen

Every useful training method, system, trick, process, exercise, prompt, etc…boils down to this:

How do I bypass the conscious (or ego) mind and allow the subconscious to take over?

Whatever works. (Maybe it’s meditation or doing the Artist Way morning pages or primal screaming or Tibetan dream yoga or going for a run or doing nothing at all.) Whatever allows you to access that subconscious state and stay in it for as long as possible. Use it.

Let it happen.

The Subconscious is the Way to great and lasting art. The only Way.

Trust And Surrender

When you get rejected or are going through difficult times, it’s pointless to ask why this happened or what this means or what the future will be.

Also, perhaps your timing and judgment is off. What seems awful right now might be the best thing that could’ve ever happened.

Double down on your belief in self and the art you’re trying to do. Make Trust and Surrender your two greatest allies. Head down. Keep going.

Do It. Then Evaluate It.

If you get a strong instinct for something you might want to do or try…before spending time thinking about it or imagining how it might make you feel, and then most likely talking yourself out of it…DO it. Give it a little bit of time (like a 40 day challenge, hint, hint). Then EVALUATE it. Otherwise, you haven’t given it or yourself a fair shot.

The 40 Day Challenge

Who doesn’t like a good challenge? Especially one that’s specific and time bound. In the spirit of Lent which begins today, as well as my recent post about The 100 Hour Rule, I thought I’d propose a 40 day challenge. Here it is…

Pick a goal or habit or project, anything you’ve been thinking about doing, and for the next 40 days, do the following:

-Take daily, consistent action towards it. Even if it’s only 5 minutes on certain days because of scheduling, do it every day. If all hell breaks loose and you miss a day, don’t be hard on yourself. Just make sure to get back on the horse the next day. As James Clear advises in his excellent book Atomic Habits, whatever you have to do, by any means necessary, do not miss two days in a row.

-Visualize yourself accomplishing said goal, and more importantly, enjoying the process.

Pay attention to your feelings. At the end of each day, write down a few thoughts about how working on the goal made you feel. Good and bad. if you’re hating it, keep going. It’s only 40 days. See if that initial negative feeling ever turns positive. (Is it a “this too shall pass” feeling?)

That’s it. That’s the challenge. 

At the end of the 40 days, decide if you want to keep going. If you’re digging it, can you make it 60 days? Or how about 90 days and turn it into a “quarter commitment”? Do I hear 120 days? How about 6 months? Ohmigoodness…a full year? Wowza.

Or just as likely, you get to the end of the 40 days and you’re done. It wasn’t what you thought it would be, and you’d like to try something else. Cool. No matter what, you can feel really good about yourself. (a) You practiced the discipline of commitment. For 40 days, which is a lot. (b) You experimented. You took something you were merely thinking about and activated it. Now you can properly evaluate it. (c) You learned a lot. Depending on how much time you spent on this goal or project, you might be really close or even have fulfilled your 100 hours. Now your top 5 percent!

Alright. Good luck. I’m rooting for you!

P.S. – If you accept this challenge, feel free to email me what your 40 day goal is. I’ll be your best accountability partner.

P.P.S. – This excellent HBR article on “timeboxing”. Ranked as the single greatest productivity hack. (H/t to my friend Chris for sending.)

Duty

Very often the only reason to do something is because you said you would do it. It’s your job, your responsibility, your duty.

Let that be all the motivation you need.

The 100 Hour Rule

You’re probably familiar with the 10,000 hour rule as popularized by Malcom Gladwell in his book Outliers. Roughly stated, the rule is this:

To achieve mastery in something, it takes 10,000 hours of practice. 

(Side note: Gladwell got this number from Anders Ericsson’s research. He thinks Gladwell may have misinterpreted the research and also, it specifically should be deliberate practice, not just practice. But that’s another story.)

Unless you’re young and know exactly what you want to do, the thought of putting in 10,000 hours towards something right now, at this stage in your life, with all your responsibilities, might be a buzz kill. 

But wait, I’ve good news! Very good news!!

There’s another rule, a lesser known rule, called the 100 hour rule. Ready for it? It states:

If you spend 100 hours a year–which is 18 minutes a day–in any discipline, you’ll be better than 95% of the world, in that discipline.

100 hours = Top 5 percent?…What?!…Okay, now you’re talking.

Hopefully the 100 hour rule inspires you to take action on any new skill you’d like to acquire, or foreign language you’d like to speak, or anything you’re curious about. Don’t let time be the excuse for why you don’t get really, really good at something. Or a bunch of somethings. 

Depending on how much time you invest, in a few years, you too can be Jason Bourne.

P.S. – This blog post on why it’s a good thing to be a jack of all trades.

Talk It Out

Research shows that just talking our issues and problems out loud is incredibly helpful. This is one reason why therapy exists.

It can also be helpful in those times we find ourselves struggling to make our art. A personal anecdote…

I was struggling early in a rehearsal process. It was a very hard part and play. After doing the scene, the director asked me my thoughts on the character. Having done tons of work months prior to rehearsal, I unleashed a torrent of thoughts, ideas, images, etc…After I was done with this “monologue”, the director looked at me and said, “Yeah. Spot on. You clearly know this character and have a firm grasp on him…Now, where’s that in the scene?”

I immediately relaxed and felt the tension leave my body. I didn’t know it at the time, but looking back on it now, that director’s listening and affirmation was all I needed.

We did the scene again and I felt really good, really connected, and out of my head. In flow.

When we finished the director smiled and said, “Great job. Moving on.”

Shiny New Objects

In a world of shiny new objects bombarding us every second of every day, focus, saying “No” and consistency of effort are the new superpowers.

Cultivate them. Guard them within an inch of your life. 

Don’t let squirrels keep you from the important work you’re trying to do.

How Do You Get Them To Care?

In a collaborative medium like film or theatre, the producer needs to get everyone to care deeply about the final result. And when you’re working in small theatre or independent film, you’re asking people to work for lower pay and on lower budgets. So, how do you get them to care?

First, you must have empathy. Remember, everyone’s busy, everyone’s got problems, everyone’s got a lot on their plate. Your priorities are not their priorities.

Second, start and lead with passion. If you’re not making this art because you absolutely love it, then why are you doing it? And why would you expect anyone else to care? You as the producer first, must be all-in.

Third, communicate to everyone, early and often, your passion and love for this project. How it came to be. Everyone loves a good origin story. Your enthusiasm will be infectious! (Including for the audience you want to come see it.)

Fourth, demonstrate your love with your actions. Be the hardest working person around. Have no ego. Over communicate. Strive for excellence and generosity at all times. Design a work plan and set realistic deadlines. Give your artists creative freedom. If someone makes a mistake (including you), then be understanding yet also constructive.

Lastly, choose well from the get go. Find people with similar work ethics and generous spirits. Who are also in it because they love it. This might mean taking much longer to search for and cast your actors, designers and stage crew. But that extra time is worth it.

You can’t make anyone care. 

But YOU, producer, must care deeply. 

And because you care every step of the way, they will care too.

So, Go Love

Perhaps all human desires can be summed up in these two:

(1) The desire to love.

(2) The desire to be loved.

When either or both of these desires are missing, we seek fulfillment in other ways (e.g. buying stuff), which never satisfy, and so trouble ensues. 

(Side note for the actor: If you’re struggling to find a super objective for your character, you can’t go wrong with picking one of the above two.)

We can’t control being loved. (Though Christianity and some other religions teach that God does love us, no matter what.)

But we can control giving love. And as Paul McCartney, John Of The Cross, The Buddha and many others have advised over the years…When you give love, you’ll find love.

So, go love.