Every Night Is Their Opening Night

Still from OPENING NIGHT by John Cassavetes

For the actor…

There’s nothing like the feeling and magic of opening night.

Once it’s over, it’s on to the run of the show.

But keep in mind every single night during the run is the audience’s opening night.

That’s the beauty and ephemerality of live theatre.  A new audience every time. Embrace that.  Don’t take any nights for granted.  Don’t cheat the audience out of their opening night.

P.S. – Speaking of which, tonight (and tomorrow) are opening nights for “What’s Next?…Volume 2.”  I can’t wait for you to see these artists shine!

WHAT’S NEXT?…Volume 2

I’m very excited to announce our two Vs. Studio Producing Workshop Live Presentation Nights! They are Tuesday, June 3rd, and Wednesday, June 4th, at 8pm at Pacific Resident Theatre in Venice. Below is the program note I included. (Click Here to see the full, online program that has more info.)

Dear Friend & Vs. Ally,

Thank you for coming out tonight and supporting the Vs. Studio Producing Workshop!

Over the last two months, fourteen committed artists met weekly to find and manifest the work they’re passionate about. As well as to learn how to produce with excellence and generosity for themselves, their fellow artists and the audience they seek to serve. Tonight represents a big first step on their journey. You get to see a scene from the work they intend to produce.

Moving forward, my vision for Vs. is that of a thriving, deeply-connected and radically supportive community where more artists are doing the work they love. This benefits everyone…the artists working on the play, the playwrights whose work is handled with the utmost care and respect, and the audience who get to watch and experience passion in action. A virtuous cycle is created. I believe this workshop will serve as a springboard for all kinds of interesting and terrific work.

Once again, thank you for being here and supporting live theatre. I can’t wait to see “What’s Next.”

Sincerely,

Johnny Clark
Artistic Director
Vs. Theatre Company & The Vs. Studio

(And for further context, click Here for the original description of the Producing Workshop.)

Space tomorrow and Wednesday is very limited. So if you want to come and root these talented and committed artists on, please email whatsnextboxoffice@gmail.com ASAP.

Thanks and hope to see you there!

Assume It’s A Hit

A recent lesson from our Vs. Studio Producing Workshop…

Don’t wait for the reviews and audience feedback to see if your show is a hit.

That’s too late.

Assume it’s a hit from the very beginning. Waaaay before the show opens. And let all your marketing efforts reflect this confidence.

“How can I have this confidence before it opens?'” you might ask.

One…You took the time to find out what you’re truly passionate about and why it’s important to you.

Two…You decided to produce this passion project with excellence and generosity at all times. For yourself, your fellow artists and the audience you seek to serve (knowing who’s it for and what it’s for). You cared enough to make it and share it.

Three…you took massive and continuous action. Including telling people why you made it and why you’d love for them to show up.

Because you have these three (rare) elements, assume your show is a hit.

It will be.

It already is.

Data Or Distraction?

Before consuming that next article, that next news story, that next piece of data, etc…ask yourself:

(a) Am I prepared to take action on anything I (hopefully) learn from this data?

(b) Will this data help me achieve my goals? Will it help me make the change I seek to make in the world?

Carry on.

Buzzer Beater

After a painful buzzer beater, the losing basketball coach will often give a version of the following cliche in the press conference…

“We didn’t lose the game because of that final shot. We lost because of so many mistakes leading up to that final shot. If we did our job earlier in the game…protect the defensive glass, limit our turnovers, spread the ball around, etc…it wouldn’t have come down to that final play. But tip your hat to the other team. They executed better than we did…”

It’s true in sports as it is in life. Whether it’s the Final Exam or Opening Night or The Big Presentation, etc…it doesn’t have to be filled with so much pressure to be perfect. Everything doesn’t have to be riding on that single event.

Handle your business earlier and it won’t.

P.S. – “The best buzzer beaters of all time.” Enjoy.

Ambivalence

Me and my son Truman recently watched the film, The Lighthouse. I loved it until about the last 20 minutes. When it was over…

Me: “Well, that was weird.”

Truman: —-

Me: “I didn’t like the last 20 minutes or so. I was really into it and then it just got weird and depressing and turned into more of a horror film or something. And that ending…I don’t know…I just didn’t like where it went to, and…(blah, blah, blah)”

Truman: —-

Me: “So, what about you? What’d you think of it?”

Truman: “I want to think about it more before I comment or say anything.”

Me: —- (with admiration)

The kid’s a lot smarter than I am.

And clearly more comfortable with ambivalence.

Which often is the whole point of art, isn’t it?

The Highest Sacrifice

On this Memorial Day, as we celebrate and honor all the men and women who made the highest sacrifice, I thought to share this excellent post from The Daily Stoic

Courage often has clear rewards. An entrepreneur takes a risk because there is hope for a payoff—to get something others are afraid to reach for. Someone decides to be unique or different because they realize that to live any other way is to live unhappily with a lie.

But there is something beyond this kind of ordinary courage that defines self-interest. Sacrificing oneself? Sacrificing everything for something? “Human folly,” a historian once said, “is easier to explain than human valor.”

On Memorial Day, it is worth reflecting on this very beautiful and almost baffling bit of human greatness. And it is indeed, utterly inexplicable to some. A particularly craven man once stood in a military cemetery and looked out over the graves of those who had been lost in the nation’s wars over the centuries. “I don’t get it,” he said derisively. “What was in it for them?”

When most people ask that question, it’s out of a kind of humility and awe, a desire to understand an incredible phenomenon. But for the transactional, the cowardly, or the selfish, it just doesn’t make any sense. Why would anyone give up their life for someone else? What kind of deal is that?

There’s courage and then there is heroism, the highest form of courage. The kind embodied in those who are willing to give, perhaps give everything, for someone else. Cato, who chose death over kneeling to Caesar (his daughter Porcia who followed suit by swallowing hot coals). Thrasea and Helvidius who died in resistance to Nero. Rutilius Rufus who gave him his home and his livelihood rather than be sucked into Rome’s culture of corruption. Stockdale, who perhaps thinking of Cato, tried to kill himself to end the torture of his fellow POWs.

There was nothing in it for these men and women, just as there was nothing in it for the soldiers who perished in uniform for their country. But they did it because they knew it wasn’t about them. It was about the person next to them, it was about the people back home, it was about the ideals to which they had sworn to uphold and protect.

True heroism shames us. Humbles us. It moves us beyond reason—because it came from something beyond reason. It’s self-evident why the survival rate of those who manage to transcend self-preservation to reach this greatness is not high. But then again, that is the beauty of it—in some cases, they died so that we could live. We fail them and we fail ourselves if we don’t wrestle with the meaning of this sacrifice.

P.S. – The picture above is from the film “The Best Years Of Our Lives.” I wrote about it in my April 2025 Favorites and it’s #2 on the Academy Museum Of Motion Pictures “Best Movies to Watch in Honor of Memorial Day“.

P.P.S. – This NYT article on the history of Memorial Day. As well as this PBS site.

Choosing Yourself

If you ever wonder why they didn’t choose you, especially after you felt great about how it went (e.g. the audition, the job interview, etc.), then think about all the times you, yourself, got excited about something (e.g. an idea for a business, a story, a new project, a goal, etc.), and didn’t follow through on that initial burst of enthusiasm.

The truth is, there are a million reasons why they didn’t choose you. Most often it has nothing to do with how it went or you or the quality of your work. It has to do with a lot of factors that are beyond your control.

Be proud of yourself that you went for it. You put yourself out there. You risked. You were vulnerable.

And then get back to the hard, yet ultimately so much more fulfilling work, of choosing yourself.

What Should I Do?

All of the above quotes are just different ways of attacking the eternal question, “What should I do?” Hopefully they provide some clarity and insight.

But make no mistake…not choosing or choosing everything, is a recipe for disaster.